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Controlling of Soundmachines



In order to play these machines, Schläger initially used an industrial control system by Klöckner Möller, which is still in use for the regulation of waterworks, railways, and traffic lights. However, this method of programming proved to be cumbersome, he therefore decided to apply the data transfer protocol MIDI (musical instrument digital interface) which offered him much more convenient options. However, it is necessary to interpose a laptop with sequencers, compositional and notation programs between the two. With MIDI the programming of the operations of motors and magnetic pickups is enabled. Although the sound machines are then ready for use in performances and in installations, they are not considered completed, rather they are subject to an ongoing process of modification, a constant fine-tuning and adjustment of their sound characteristics. The construction of a machine is not a completed process, but a never-ending exploration of the best-possible form. On a pragmatic level Christof Schläger knows in advance the kinds of components he requires and he will search until he finds the precise part he is looking for; usually it will require some physical alteration to fit into the structure of his sound machine. On an artistic level, while Schläger has a sound in his imagination and which he strives for, he is not rigid in his intention. The sounds evolve and come into being in the interplay of imagination, the constant adjustment of the sound machines, and the listening experiences of the sounds produced.

more information:
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___Catalog: ___

Urban Rituals,
The Sounartist Christof Schläger

Verlag Hanno Ehrler


Download:
Deutsch (PDF)

now reading:
>> I. Construction of Instruments
>> II. Noise
>> III. Sound
>> IV. Composition
>> V. Sculpture

 
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